Instead, the Mobile features an XLR4 port so that it can easily be connected to a DC power source, and is conveniently supplied with an external AC to DC power supply having a regular IEC connection for when you're not in the field. The Ensemble's drivers have also been regularly updated, with the current release from last December (on which this review is based) being fully compatible with both Leopard (Mac OS 10.5) and Tiger (10.4). Can I reduce latency when using Dante Via and Cubase? In this video, I compare my top 2-4 channel audio interface picks: the Apollo Twin & the Apogee Duet 2. Apogee’s Ensemble (Resolution V6.3). We looked at Symphony in last September's SOS, and although it might seem a little late in the day to be looking at the Ensemble, Apogee have actually been consistently improving the product since its original release (which included beta drivers) last year. The only real problem I encountered when testing the Ensemble was when I decided to see if the record offset latency was handled correctly. Beginnen wir ausnahmsweise mal mit den Features für Gitarristen. Not compatible with Windows, which could frustrate Boot Camp users, or indeed PC users. Although the Ensemble works with any Core Audio-compatible software on Mac OS X, Logic Pro users are especially lucky as Logic incorporates an Apogee Control Panel (accessible from the Options / Audio menu) that allows you to adjust the Ensemble's … The second port is handy if you want to daisy chain other Firewire devices. The concert took place at the Walt Disney Concert Hall in Los Angeles. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. While this is functionally no different to using Maestro in conjunction with any audio application, the neat thing is that the settings for the Apogee Control Panel in Logic are stored with your Project. The input encoder allows you to set the gain for the mic preamp on the currently selected input, and you can set the current input by pressing the input encoder, which toggles through a set of blue LEDs to the right that indicates the selected input. Good luck!! Matthew -- well I'm looking forward to your report. Thus you will find exactly the same roundtrip latency time on Elements as Ensemble Thunderbolt, regardless of Thunderbolt 1 vs 2. Now I just want things to work. A typical use-case: You have 2 Symphony I/Os connected to one Mac and both are showing up in Apogee Maestro. Technically, the Ensemble can work at sample rates of up to 192kHz (and even offers hardware sample-rate conversion), but only the analogue and coaxial I/O are supported once you work with rates above 96kHz. It has made my decision all the easier. I think that reference above was made before the new high performance drivers were available. IMO, well worth it. I thought sound quality they would be the same. You may login with either your assigned username or your e-mail address. Still, totally inaudible. Output settings such as speaker set selection, mute, dim, sum to mono Complete input/output control with Apogee Control software Works with Pro Tools, Logic, … If I get this thing in here and find out my G5 is holding it back, I'm going to be real pissed off. I’ve been using the Symphony I/O Mk II for several weeks now and it sounds stunning. Logic Pro includes an Apogee Control Panel where you can access and store the Ensemble's settings directly from your Logic Project.Photo: Mike CameronThe supplied Maestro software serves two purposes: firstly, to provide hardware mixing and routing capabilities so that hardware inputs can be routed directly to hardware outputs; and secondly, to allow you to access and configure all of the Ensemble's internal settings. ... Apogee DUET 2 Vs Apogee Rosetta 800 + API 3124 with Beyer M160 Ribbon Mic - Duration: ... Apogee Ensemble … High-end digital converter manufacturers Apogee are Apple's audio partner of choice, and their latest Firewire interface is aimed squarely at Mac users with a taste for quality. One area where the Fireface and Orpheus have a distinct advantage over the Ensemble is that they also offer Windows support, which could be important if you run Windows on your Mac via Boot Camp, or have additional Windows-based computers to which you'd like to attach a Firewire audio interface on occasion. Pressing and holding the output encoder for a few moments will mute the Main and headphone outputs, and the LED to represent whichever output was selected will start flashing to indicate the mute status. However, this isn't a big deal, since most native audio applications, such as Logic Pro 8 and Cubase/Nuendo 4.1, are now able to support this style of routing (where audio buses can be used as the inputs to audio tracks) without hardware assistance. Like Symphony, the Ensemble is also supplied with Apogee's Maestro software, which is used to configure the onboard routing and settings. Although there are cheaper alternatives, the Ensemble certainly isn't overpriced, and I think Apogee have found a comfortable price point for the features and level of quality being provided. I just ordered a symphony set up mostly because of the latency specs. Symphony Control: Clicking on Insert Labels resets unit and blanks or crashes; Logic 10.5.1: Channel strip not fully functional can’t select Inst, -10 and High shelf is grayed out; Clock source is not properly indicated in Symphony Control; Ensemble and Element Series Apogee ensemble vs. symphony Hi guys and gals, I have been trying to wrap my head around all of this and I am getting ready to update my studio on Friday that's 12-15-06 and I am really not sure of what I … The 1U enclosure is about the same size as an AD16X or DA16X converter, and although this is a really minor point, I wish Apogee had made the rack ears removable (as with other interfaces such as the RME Fireface 800 or Prism Orpheus). While this is a somewhat pedantic point in respect of what is a pretty well-designed front panel (especially the colour-coding of the LEDs), I really wish it was possible to configure the Main output encoder to mute on a simple press, rather than a simple press switching the selected output for level adjustment. Up to 32 buses can be created per Symphony card, and these allow the transport of audio between Core Audio applications, or even within applications. In this case your Mac will probably kernel panic and the Ensemble will go into stand-alone mode. In diesem Test erfährst Du alles Bemerkenswerte in Sachen In- und Outputs des Apogee Ensemble Thunderbolt. What's especially neat about the headphone outputs is that they're completely independent, both in terms of level and in terms of which pair of the Ensemble's outputs they are assigned. Legacy Apogee interfaces donʼt include Loop clock functionality (as found on Symphony I/O). How low can you set your buffers with a good dose of plug-in, VIs, etc.? This makes it very easy to create headphone mixes without the need for any additional hardware. Once successfully connected, you can set the Ensemble to be the default audio input and output for your Mac in either Audio MIDI Setup or the Sound System Preferences Panel. If you want a nice vocal, you gotta look at every part of your vocal chain, and you might sacrifice more than you think by getting an ensemble just because you save some money on buying seperate pre's and such. Do Apogee’s Thunderbolt products (Element 24, Element 46, Element 88, Ensemble Thunderbolt, Symphony I/O MkII Thunderbolt, and Symphony 64 Thunderbridge) work with the 2015 and 2016 12″ MacBook? From what I understand Symphony does this. I betting that if or when Ensemble's development achieves the performance which the designers sought to achieve, the disparity in software monitoring latency between Symphony and Ensemble setups will be miniscule. I have a feeling that the low latency performance specs with Symphony and a Mac Pro are mostly due to the Mac Pro, and that a Symphony is needed IF you are recording many multiple tracks at once (as in an orchestra session). Having more than one Duet or Quartet connected to a Mac may not be as common as having multiple Symphony I/Os or Ensembles connected, but the ‘Device ID’ buttons are there for each product, just in case. However, if you exclusively use Macs, this obviously won't be an issue. In terms of audio, the Ensemble has eight analogue inputs, and the first four can accept either a line- or mic-level signal, thanks to the built-in preamps. Each preamp has a gain control, and a particularly useful feature is the ability to assign each preamp to one of two groups, enabling gain adjustments to be linked between preamps assigned to the same group. Ask Apogee - Symphony I/O vs. Quartet and Duet Apogee Electronics. While the difference was admittedly subtle compared to my trusty Fireface 800, the Ensemble seemed to have a little more depth, with fractionally more space at the top. Sonic Differences: Apollo 8 TB VS Apogee Symphony MK2 I am trying to get a feel for the discernable audio differences from any folks who have used both. The Maestro Control window allows you to configure all aspects of the Ensemble's hardware setup, and this is where you have full control over the built-in preamps. At first glance the Symphony seems phenomenal (As I have always HATED latency and DREAM of tracking through plug-ins without stutters, clicks, pops, etc.) Some people might find the selection behaviour more useful (if they use headphones), but I wish Apogee would provide a quick mute option for those who might prefer it. I'd say it all comes down to cash at this point, mon ami. The status LED also has the potential to illuminate in red if you're really unlucky, and this can happen if you plug the Ensemble into your computer and a successful connection can't be established. Also, depending how serious you are, you're probably going to want an outboard mic pre anyways. If you have […] Like Symphony, the Ensemble is also supplied with Apogee's Maestro software, which is used to configure the onboard routing and settings. Monster Studio Pro 1000 cable pretty much in and out of everything. I know it wasn't *the same*, but I know the latency was still quite low and quite impressive. I track at 48k and export to 96. For stereo, the output encoder controls the levels of the first two analogue outputs, whereas in 5.1 or 7.1 mode the encoder sets the level of either outputs 1-6 or 1-8 respectively. Maestro is capable of controlling Apogee hardware I/O connected to the computer via FireWire, Symphony (Apogee’s PCI Express card) or both at the same time. For example, it’s possible to And one of the headphone jacks went, even though I don't use them and plug into a dedicated headphone amp system (they worked during installation). Logic Pro includes an Apogee Control Panel where you can access and store the Ensemble's settings directly from your Logic Project. If its feature set is what you're looking for, Ensemble is an ideal centrepiece for any Mac-based desktop or mobile studio, especially if you're using Logic Pro. I have a feeling that the low latency performance specs with Symphony and a Mac Pro are mostly due to the Mac Pro, and that a Symphony is needed IF you are recording many multiple tracks at once (as in an orchestra session).

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